by dswinder, Sons of Sam Malone
Okay, so here’s the scene — We’re somewhere in inner-city, urban, USA. Gymnasium packed to the rafters. The crowd is going absolutely insane. The home team is down 1, .3 seconds left on the clock. The first-year coach just called a timeout to try and rally the troops; the same troops that a month earlier wouldn’t listen to him in a life or death situation. You see, they know death. They know what it’s like to live on the streets. These kids have grown up in chaos. No coach is going to come in and tell them what to do. They’ve made it on their own for all these years, and that’s how it’s going to stay. But somewhere along the line, Coach So and So got through to these troubled, disempowered youth. He’s found their soft spot. They feel that they can trust again. For the first time in their lives, these kids feel like the world is their oyster. Right now, at this very moment, they’re being given their opportunity to shine, and it’s up to the scrub, who started the year unable to run a single suicide, to hit the game winning free throws. Intense wouldn’t do this situation justice. Hell, not even the most eloquent prose in the history of literature could hold hope to describe the level of excitement in this gym tonight.
Sound familiar? If not, it should. You see, what you’ve just read is the basic outline for sports movies as of late, and if it’s not the troubled youth being tamed by a tough love coach, then it’s the classic underdog story. Or even worse? The “I can’t believe I’m watching this. Oh my god. I just laughed. Shoot me now.” “sports” comedy (see Talladega Nights/Dodgeball/Blades of Glory/etc.)
That’s the problem with sports and film today. Somewhere along the line, I’d say Hoosiers, someone came up with this genius plot outline for a sports story to be shone on the silver screen, and since then the whole concept has been bastardized and copy catted to the point of plain ridiculousness. You would think we would realize there’s a problem when we can walk into the theater, at least 75% certain we know how it’s going to end. Yet, we still walk into that theater, and we still walk out thinking, “Hey, that was pretty good.” All the while, we fail to realize that we’ve seen that same damn movie twelve times in the past two years. It’s pure laziness, and it’s running sport films into the ground.
What? Nay say you doubt. But just in case, let’s take this time to lay your speculations to rest — You know, right next to the dying sports flick.
Remember the Titans vs. Glory Road
Let’s down this baby with a checklist…
Obstacle?
Remember the Titans: Correct me if I’m wrong, but isn’t the integration of a school a pretty big change, that at the time caused some pretty big problems? Check.
Glory Road: Five black starters in the days of Adolf Rupp. Big Check.
Tough Coach?
Remember the Titans: Coach Boone was a bad ass, and Denzel Washington is what some would call, “The Man.” Check.
Glory Road: Don Haskins had to be tough. Hell, he led Texas Western to a national championship over “My Jelly’s KY” Kentucky. Check.
Overcoming Hardship?
Remember the Titans: I’d say a state title is pretty good. Wouldn’t you? Check.
Glory Road: Hmmm…Beating Kentucky in 1966 to win the National Championship with the first all-black squad. Oh yeah, it was Texas Western. Check.
Going down that list, it appears to me that not only do both films fit the criteria for the stock sports movie, but they both seem to be eerily similar, and by eerily similar, I mean the same damn movie. I know. I know. “But they’re true stories.” Have you ever heard of “based on”? They’re both made by Disney. So, basically the Big D double dipped in the honey jar without getting caught. Until now. Same movie. Different sports. That ain’t going to cut it.
But — Just in case your still holding on to that dreaded speculation, here’s another instance.
Coach Carter vs. Hardball
Obstacle?
Coach Carter: New coach, coaching kids that don’t really give a damn what he’s got to say. Check.
Hardball: Twerp in gambling trouble coaches an inner-city Little League team. I guess I should clarify — The twerp is white. Even worse — The twerp is Keanu Reeves. ENORMOUS Check.
Tough Coach?
Coach Carter: Well, for one, we’re talking Samuel L. Jackson here. Point being — He’s one angry S.O.B. Check.
Hardball: Okay, so shoot me. No, better yet, shoot the makers of this movie. How dare they stray from the path of sports movie righteousness. For shame. No Check.
Overcoming Hardship?
Coach Carter: The team was terrible before Coach Carter came into the picture, and after Sammy Jackson’s character took the helm, the Richmond, California high school basketball team dealt with major character issues. Buuuuuuuut, by the end of the movie, Coach Carter not only led his squad to the state tournament, but managed to instill hope and success as well – Touching…Really. I think I just shed a single tear. Check-ola.
Hardball: I mean come on. Keanu. Oops. I should say, Connor, pays back his debts, gets the girl, loses a player, but still, the freaking Kekembas won the championship. What a story. Nostradamus himself couldn’t have foreseen this gripping conclusion. Check.
I could keep going, but what’s the point? They’re all the same. Obstacle. Tough Guy. We Shall Overcome.
Really, these similarities are almost to the point of being formulaic. Oh, who am I kidding. It is a formula — A simple one, but a formula none-the-less.
It’s a five-step system: 1.) Want money. 2.) Copy formula. 3.) See dollar signs. 4.) Make movie. 5.) Make dollar signs.
I would call it piracy, but after careful contemplation, I really think it’s just a big swap meet. “Here, I made this movie, and made a ton of cash. Now you can have it.” If I were Gene Hackman or the guy that played Jimmy Chitwood, I’d demand some royalties or something. Ever since Hoosiers there has been an ever-growing state of stagnancy in the sports movie business, and until someone decides to, you know, have an original thought, it’s going to stay that way. I just hope some tough guy can reign in these troubled movie producers and overcome this hardship, because something’s got to change.
(Originally published 10/13)









